If you are a fan of Indian cinema, you must be aware of the linguistic diversity that it has to offer. Amongst other languages, the Telugu films in South Indian languages stand apart due to their excellence. Here, we have listed some of the best Best Telugu Films Of The Decade that may trigger your interests.
Here are some of the best telugu films of the decade
Director: Sekhar Kammula
Cast: Sai Pallavi, Varun Tej, Sarah Uriarte Berry
For those of you who can’t take your eyes off Sai Pallavi, ‘Fidaa’ is effectively one of the Best Telugu Films Of The Decade in quite a while. For those of you who like conversational romantic tales between two developed people, this Kammula film is about the times of good days. Mellow discussions, sound humor, and emotional bonding between genial people, and, obviously, cheerful music – these are the fundamental highlights.
Cast: Ram Charan, Samantha Akkineni, Aadhi
The film centers around the political conflicts of the town and delivers the fierce truth before the worldwide crowd. The drama gives an amplified approach towards the existence of the residents and brings their life’s complexities into the center. The account of the film takes the crowd, thinking back to the 1980s to a town, which is managed by a God-like person. The man turns out to be a leader of the town and holds the unskilled individuals totally under his grasp.
Nonetheless, before the mistreated topple the oppressor, we will be demonstrated how the absence of instruction leaves townspeople open to abuse, how the president’s men exploit straightforward town society to demand high loan costs and how any voice that is brought up in resistance is quieted without kindness. Up until this point, Rangasthalam holds it to the recipe and the exhausted great versus insidious story.
Director: Sashi Kiran Tikka
Cast: Adivi Sesh, Sobhita Dhulipala, Jagapathi Babu
Goodachari demonstrates what Tollywood can do if just it settles on various decisions and thinks beyond practical boundaries. Loaded up with edge-of-the-seat minutes and riveting turns, this one is the ideal popcorn movie. The enormous issue of Goodachari is that the story and screenplay have been arm-curved to serve Adivi Sesh’s dreams of playing a beautiful government agent character. The outcome is we have an attractive film yet no fundamental feeling to keep us contributed. It is ostentatious yet needs profundity.
4. Ye Maya Chevase
Director: Gautham Vasudev Menon
Cast: Naga Chaitanya Akkineni, Samantha Akkineni, Krishnudu
Jessie is a mind-boggling character that is proud in regards to her uncertainty. She falls all through adoration, needs to be the acceptable girl who can’t irritate her folks, yet at the same time keeps Karthik hanging by a meager line of expectation. Newcomers Samantha and Naga Chaitanya were crude, guiltless, and weak enough to pull off those parts, guided by chief Gautham Vasudev Menon. The bilingual’s Tamil adaptation had a more genuine consummation of the romantic tale, however, there’s no damage with the upbeat closure in the Telugu form as well. The soundtrack is still new and among A R Rahman’s best in the decade.
Director: Trivikram Srinivas
Cast: Mahesh Babu, Anushka Shetty, Prakash Raj
Being one of the Best Telugu Films Of The Decade, the story rotates around a far-off town in Andhra Pradesh tormented by an odd individual. The diviner of the town predicts that God would act as the hero. Before long Raju acknowledges he is, in all honesty, the God-sent, the diviner anticipated, and the remainder of the story is about how Raju assumes up the liability to protect the town from the grip of malevolence.
Director: Deva Katta
Cast: Rashmi Gautam, Jeeva, Sundeep Kishan
Featuring a troupe cast of Sanjay Dutt, Ali Fazal, Satyajeet Dubey, Manisha Koirala, Jackie Shroff, and Chunky Panday among others, it’s a revamp of a 2010 Telugu movie by a similar name, and helmed by a similar chief, Deva Katta. There are minutes when you can’t help thinking about how the film is even important after right around 10 years. Yet, that is with political shows; they never disappoint. Prasthanam is an exemplary instance of old wine in another jug, the plot is the equivalent and countenances are new.
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Director: Tanikella Bharani
Cast: S.P. Balasubrahmanyam, Lakshmi, Balasubramanyam
It is one of the Best Telugu Films Of The Decade, which depends on the widely praised novel â€˜Mithunamâ€™ composed by Sree Ramana and the chief has adjusted it very well on screen. The test here is, there are just two characters, and there is no dance, battles, various areas, or some other element of a standard film. Yet, the chief figured out how to weave a story of two people and their lives with a decent portion of feeling.
The mentality to take life emphatically and seeing the more brilliant side of it is the key embodiment and there is an overall insight that mature age is the most discouraging. However, this film opposes that and shows how even at the fag end of life a couple can associate with one another and relate in a positive manner.
Given the class of the Best Telugu Films Of The Decade, it can’t be viewed as a standard flick. This is more appropriate for the craftsmanship house crowd and the individuals who like some developed stuff. Preferably, this film will turn out additional for the individuals who have crossed fifty and to those kids who are living abroad and have that solid inclination in their heart to be with their folks in their local land.
8. Ala Modalaindi
Director: B.V. Nandini Reddy
Cast: Nani, Nithya Menen, Sneha Ullal
In Ala Modalaindi, there are numerous beginnings to the sentiment between (Nithya Menen) and Gautham (Nani). There’s science from the earliest starting point, however, conditions divide them each time until they, at last, conquer them. That is it. That is the plot. The two Nani and Nithya were simply getting going as entertainers and it was Nandini Reddy’s first movie as a chief.
Ala Modalaindi, consistent with its title of being the Best Telugu Films Of The Decade, starts the profession of chief Nandini Reddy who ought to have appeared as chief, at any rate, a couple of years back. Never late for a decent beginning they say, and she brings confidence in companion and bankable entertainer Nani in her presentation highlight.
Directly from its beginning Ala Modalaindi is a good old-fashioned lighthearted comedy and remains so till the end. You barely stress over the illustrations or mood melodies or cinematography – it is simply a lot of enjoyable to consider all these! For a change, we have parody that isn’t excessively realistic, however absolutely situational.
9. Prema Katha Chitram
Directors: J. Prabhakar Reddy, Maruthi Dasari
Cast: Sudheer Babu Posani, Nandita Raj, Praveen
There is a keen blend of humor, frightfulness, and sentiment in the film and watchers will interface with each of the three feelings well. The film’s greatest USP is the entertaining and shocking second half. There are a couple of brand name multifaceted nuance exchanges from Maruthi, however, they are restricted and don’t give a profane vibe.
Being one of the Best Telugu Films Of The Decade, it gets going gradually and staggers for the initial 20 – 30 minutes. There are some unnecessary groupings, similar to the MLA slapping scene and so on. These scenes are very disturbing and ought to have been hacked off. The peak battle might have been evaded as it truly doesn’t add a lot to the storyline. One gets the inclination that it was set there deliberately, to demonstrate that Sudheer can battle. Some true-to-life freedoms have likewise been taken.
10. Oohalu Gusagusalade
Director: Srinivas Avasarala
Cast: Srinivas Avasarala, Bhadram, Krishna Bhagavan
There are some of the Best Telugu Films Of The Decade that repeat each known platitude, there is in a sort to hit home for the crowd, and afterward, there are films that shock you for the sheer resourcefulness that is too difficult to even consider absent as the story unfurls. Srini Avasarala’s first time at the helm film Oohalu Gusagusalaade has a place with the last classification and he ensures that the film doesn’t lose its appeal and guiltlessness till the end.
Adjusted from Edmond Rostand’s French play, Cyrano De Bergerac, Oohalu Gusagusalaade remains as a declaration for the producer’s reasonable methodology towards sentiment, particularly in the main portion of the film, which is inspiring without a doubt.